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Condiment Set No. 17286
Bathers
The Bridge at Gardanne (recto); View of Gardanne (verso)
Saltmarket from London Street
Beech Trees near Pebble Beach, Mt. Kineo, Maine
Hand Study
The Egg (L'Œuf)
Homage to Goya (Hommage à Goya)
The Potato Eaters
Herod (Herodes) (plate 6) from the portfolio On Death, Part I, Opus XI (Vom Tode, Erster Teil, Opus XI)
The Bather
Grandcamp, Evening
Gathering Water-Lilies from Life and Landscape on the Norfolk Broads (London, 1886)
The First Frost from Life and Landscape on the Norfolk Broads (London, 1886)
Setting up the Bow-Net from Life and Landscape on the Norfolk Broads (London, 1886)
Rowing home the Schoof-Stuff from Life and Landscape on the Norfolk Broads (1886)
Marshman Going to Cut Schoof-Stuff from Life and Landscape on the Norfolk Broads (London, 1886)
A Reed-Cutter at Work from Life and Landscape on the Norfolk Broads (London, 1886)
A Rushy Shore from Life and Landscape on the Norfolk Broads (1886)
'Twixt Land and Water from Life and Landscape on the Norfolk Broads (London, 1886)
Snipe-Shooting from Life and Landscape on the Norfolk Broads (London, 1886)
Poling the Marsh Hay from Life and Landscape on the Norfolk Broads (London, 1886)
In My Dream, I Saw in the Sky a Face of Mystery (Dans mon rêve, je vis au ciel un visage de mystère) from Homage to Goya (Hommage à Goya)
The Marsh Flower, a Sad Human Head (La Fleur du marécage, une tête humaine et triste) from Homage to Goya (Hommage à Goya)
A Madman in a Dismal Landscape (Un Fou dans un morne paysage) from Homage to Goya (Hommage à Goya)
There Were Also Embryonic Beings (Il y eut aussi des êtres embryonnaires) from Homage to Goya (Hommage à Goya)
A Strange Juggler (Un Étrange jongleur) from Homage to Goya (Hommage à Goya)
Upon Waking, I Saw the Goddess of the Intelligible, with Her Severe and Hard Profile (Au réveil, j'aperçus la déesse de l'intelligible au profil sévère et dur) from Homage to Goya (Hommage à Goya)
Section of the Constellation Cygnus
Le Mirliton, no. 29