Search Results for "surreal line art"

Dachatelier
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Lines, Not Long, Not Heavy, Not Touching, Drawn at Random (Circle)
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Untitled from Series of Twenty-two Photostats
Untitled from Series of Twenty-two Photostats
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Untitled (#17)
Untitled from Matrix for Series of Twenty-two Photostats
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Untitled from Matrix for Series of Twenty-two Photostats
Untitled from Matrix for Series of Twenty-two Photostats
Untitled from Matrix for Series of Twenty-two Photostats
Untitled from Matrix for Series of Twenty-two Photostats
Untitled from Matrix for Series of Twenty-two Photostats
Untitled from Matrix for Series of Twenty-two Photostats
Untitled from Matrix for Series of Twenty-two Photostats
Untitled from Matrix for Series of Twenty-two Photostats
Untitled from Matrix for Series of Twenty-two Photostats
Untitled from Matrix for Series of Twenty-two Photostats
Untitled from Matrix for Series of Twenty-two Photostats
Untitled from Matrix for Series of Twenty-two Photostats
Untitled from Matrix for Series of Twenty-two Photostats
Untitled from an untitled series
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Untitled from Squares with a Different Line Direction in Each Half Square
Untitled from Squares with a Different Line Direction in Each Half Square
Ascending Lines (Linhas ascendentes)
8.Juni 2015
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12. Sept. 2015
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Transverse
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Untitled from an untitled portfolio
Untitled from an untitled portfolio
Untitled from an untitled portfolio
Untitled from an untitled portfolio
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Untitled (for Alan C.) from Alan Cristea Gallery Twentieth Anniversary Portfolio
Horizontal Brushstrokes (more or less)
Untitled from 99/00
Untitled from 99/00
Downhill
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R(superscript 3) from the series Where R=Ryoanji
Vine
Untitled, no. 2 of 36, from the series, The Fragile
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Untitled, no. 11 of 36, from the series, The Fragile
Untitled, no. 13 of 36, from the series, The Fragile
Untitled, no. 17 of 36, from the series, The Fragile
Untitled, no. 21 of 36, from the series, The Fragile
Untitled, no. 22 of 36, from the series, The Fragile
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Untitled from the series Les Orfèvres
Untitled, no. 32 of 36, from the series, The Fragile
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Untitled, no. 36 of 36, from the series, The Fragile
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Untitled from First Test
Plate (folio 16) from Six Geometric Figures and All Their Combinations, Volume II
Image #I from Ssblak!Ssblak!!Ssblakallblak! Wonder#9
Untitled #2, from the Drawing Doubles series
Plate (folio 28) from Six Geometric Figures and All Their Combinations, Volume II
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Plate (folio 4) from Six Geometric Figures and All Their Combinations, Volume II
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Image #VII from Ssblak!Ssblak!!Ssblakallblak! Wonder#9
Plate (folio 35) from Six Geometric Figures and All Their Combinations, Volume II
Excessive Digits
Plate (folio 12) from Six Geometric Figures and All Their Combinations, Volume I
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Untitled from Untitled (Truth and Beauty)
Plate (folio 15) from Six Geometric Figures and All Their Combinations, Volume I
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Untitled from Untitled (Truth and Beauty)
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Plate (folio 53) from Six Geometric Figures and All Their Combinations, Volume II
Plate (folio 63) from Six Geometric Figures and All Their Combinations, Volume II
Plate (folio 5) from Six Geometric Figures and All Their Combinations, Volume I
Untitled from Scribbles printed in four directions using four colors
Untitled from Scribbles printed in four directions using four colors
Plate (folio 44) from Six Geometric Figures and All Their Combinations, Volume I
Untitled from Scribbles printed in four directions using four colors
Untitled from Scribbles printed in four directions using four colors
Untitled from Scribbles printed in four directions using four colors
Plate (folio 54) from Six Geometric Figures and All Their Combinations, Volume I
Plate (folio 55) from Six Geometric Figures and All Their Combinations, Volume I
Untitled
Plate (folio 63) from Six Geometric Figures and All Their Combinations, Volume I
Plate (folio 8) from Six Geometric Figures and All Their Combinations, Volume I
Project for Cologne
My Potential Future Based on Present Circumstances (12/14/02)
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Project for Cologne
Curves and Straight Series
In Netz gegangen I
Lines, Not Straight, Not Touching, Four Colours
#61 Working Drawing
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Lines, Not Long, Not-Straight & Not Touching
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Work Drawing: 10 x Place Distance Place
Work Drawing: 10 x Place Distance Place
Untitled from Algorithms, Apparitions and Translations
Untitled from Algorithms, Apparitions and Translations
Untitled from Color Additives (Aditivos de Color)
Work Drawing: 10 x Place Distance Place
Scribbles and Alternate Straight and Not Straight Horizontal Lines (plate 5) from Squarings
Work Drawing: 10 x Place Distance Place
Scribbles and Alternate Straight and Not Straight Vertical Lines (plate 6) from Squarings
Linking Graphics, 2
Scribbles and Alternate Straight and Not Straight Horizontal and Vertical Lines (plate 11) from Squarings
Scribbles and Alternate Straight and Not Straight Horizontal and Straight Vertical Lines (plate 12) from Squarings
III from Stacked Color Drawings, 1971
Scribbles with Straight Horizontal Lines on the Top and Not Straight Horizontal Lines on the Bottom (plate 14) from Squarings
Scribbles with Not Straight Horizontal and Straight Vertical Lines on the Top and Not Straight Vertical Lines on the Bottom (plate 23) from Squarings
Scribbles with Not Straight Horizontal and Straight Vertical Lines on the Left and Straight Horizontal and Not Straight Vertical Lines on the Right (plate 35) from Squarings
Scribbles with Not Straight Horizontal and Vertical Lines on the Left and Straight Horizontal and Vertical Lines on the Right (plate 36) from Squarings
Study for The Metternich Paintings
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White Lines
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3:40 am
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Form
Mountain House Project, no intended site known (possibly Merano, South Tyrol, Italy) (Elevation sketch)
Untitled from 6+4
Untitled from Rules of Raugh
Untitled from Rules of Raugh
Untitled from Details
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Line Etching I
Line Etching II
51 Ways of Looking (Group B)
Line Etching IV
Line Etching V
Line Etching VI
(1) from Eight Small Etchings/Color
Untitled (After Malevich and Schiele), from the 1917 exhibition, Nature Morte Gallery, New York
(4) from Eight Small Etchings/Color
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Generator Project, White Oak, Florida, Plan
(7) from Eight Small Etchings/Color
(8) from Eight Small Etchings/Color
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Untitled from 51 Ways of Looking (Group B)
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Note for DIS PAIR
From Line
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Work Drawing: Place Time Inside Outside
Restless like all his people...
Untitled (Unknown Male)
Lines X(folio 7 verso) from Lines
Lines XI (folio 8) from Lines
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Lines VI (folio 5 verso) from Lines
Lines VII (folio 6) from Lines
Drawing #158 (1,625 Red on Turquoise 1/2/1.5/3 x 10 Gauges 6-3-4-2 mm)
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Untitled (Blue and Yellowish Cream Butterfly 76)
Untitled #3
Nine Prints
Justification page from Drawing Lesson, Part I - Line
Untitled from Drawing Lesson, Part I - Line
Untitled from Drawing Lesson, Part I - Line
56787654 from Nine Prints
Hair Drawing
Repetitious Visitation
Plate from Le Surréalisme en 1947
Plate from Le Surréalisme en 1947
Plate from Le Surréalisme en 1947
Happy III
Study for Summation
Untitled from an untitled portfolio
Models for Synthetic Pictures
Models for Synthetic Pictures
Models for Synthetic Pictures
Untitled from Flowers
Models for Synthetic Pictures
Models for Synthetic Pictures
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Untitled (grass)
Clowndoubt (Joe)
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Untitled (I)
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18 October 1987 Sketchbook #18
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Grouping and Coupling from the series Blockhead Drawings
Untitled, plate 12 of 15, from the series, Nature Study
Untitled at 2,470,364
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Untitled from What Red Lines Can Do
Untitled from Program
Untitled from What Red Lines Can Do
Untitled from Program
Untitled from Program
Untitled from What Red Lines Can Do
Untitled from Program
Untitled from Program
Untitled from Program
Untitled from Program
Untitled from Program
Layout of Arcs and Lines
Untitled (Fragment 5) from Fragments
Untitled from Squares with a Different Line Direction in Each Half Square
Untitled from Program
Lines (4/4) Radius: 164"
Lines (3/4) Radius: 164"
Lines (1/4) Radius: 228"
Lines (2/4) Radius: 299"
Streamlines
Untitled (11.13.01 Wynn Kramarsky 14:50)
Oscillating Strips Mapped into Intersecting Frame 10
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Untitled from Large Illumination Drawings
PR
Lines (Arms/Feet)
Lines, Not Long, Not Heavy, Not Touching, Drawn at Random (circle) in Four Colors, Printed in Four Directions
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Farnsworth House, Plano, Illinois (Steps, perspective and elevation)
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Yellow Lines from the Center
Irregular Curves
Solo drawing from the "Hangers" Performance
Relation of Lines and Colors
Vertical Lines from the series Line Form Color
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Untitled (Quantum II)
Ground Drawing
Untitled, plate 2 of 5, from the illustrated book, The Laws of Nature
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Pages #7 from Pages
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GC Prostho Museum Research Center, Kasugai, Aichi, Japan (Elevation sketch)
GC Prostho Museum Research Center, Kasugai, Aichi, Japan (Elevation sketch)
Black Loops & Curves No. 4
GC Prostho Museum Research Center, Kasugai, Aichi, Japan (Elevation sketch)
Irregular, Angular Brushstrokes
Untitled #153
Asakusa Culture Tourist Information Center (Elevation sketch)
Curvy Brushstrokes I
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Dear Data: Week 9 (Data Pals / A Week of Interaction: NYC)
Lines 39
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Untitled (Notebook Drawing)
Untitled (Notebook Drawing)
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Memory Line (0-051)
Untitled from 5 Lithographs
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Untitled from Curves and Corners
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Line Construction
Untitled, no. 7 of 19, from the portfolio, Fugue
Untitled (17.03.02)
Untitled (22.01.02)
Untitled II from Nine of the Eight Views of Omi
Untitled IV from Nine of the Eight Views of Omi
Untitled V from Nine of the Eight Views of Omi
Untitled VII from Nine of the Eight Views of Omi
Untitled IX from Nine of the Eight Views of Omi
Zen Study 6 (Early State) from Cold Mountain Series
Untitled (Jalousie Collage)
Line Construction
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Rhythm of Lines 8-7
Rhythm of Lines 6-8
Untitled from The Moleskine Series
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Lineament (for Parkett no. 26)
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1996.15
Untitled (L) from the series Untitled A through R
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Drawing Which Makes Itself: Neighbourhood
Rabbit
Lines from Corners, Sides & The Center, To Points on a Grid (Black)
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Ten Thousand Lines
CRTN V
Quasi-Random Drawing-Concave
Untitled from The Location of Lines
Untitled from D.T.A.B.T.W.H.A.H.E.
Untitled from The Location of Lines
Untitled from D.T.A.B.T.W.H.A.H.E.
Untitled from The Location of Lines
Untitled from D.T.A.B.T.W.H.A.H.E.
Untitled from The Location of Lines
Untitled from Four Softground Etchings w/ Drypoint
Untitled from Four Softground Etchings w/ Drypoint
Untitled from Four Softground Etchings w/ Drypoint
Expanding
Unitled from Straight, Not-Straight and Broken Lines in All Horizontal Combinations (Three Kinds of Lines & All Their Combinations)
Unitled from Straight, Not-Straight and Broken Lines in All Horizontal Combinations (Three Kinds of Lines & All Their Combinations)
Unitled from Straight, Not-Straight and Broken Lines in All Horizontal Combinations (Three Kinds of Lines & All Their Combinations)
Unitled from Straight, Not-Straight and Broken Lines in All Horizontal Combinations (Three Kinds of Lines & All Their Combinations)
Unitled from Straight, Not-Straight and Broken Lines in All Horizontal Combinations (Three Kinds of Lines & All Their Combinations)
Unitled from Straight, Not-Straight and Broken Lines in All Horizontal Combinations (Three Kinds of Lines & All Their Combinations)
Unitled from Straight, Not-Straight and Broken Lines in All Horizontal Combinations (Three Kinds of Lines & All Their Combinations)
3.5.82
From the series 16 Variations of 2 Horizontal Lines
From the series 16 Variations of 2 Horizontal Lines
From the series 16 Variations of 2 Horizontal Lines
From the series 16 Variations of 2 Horizontal Lines
From the series 16 Variations of 2 Horizontal Lines
From the series 16 Variations of 2 Horizontal Lines
From the series 16 Variations of 2 Horizontal Lines
From the series 16 Variations of 2 Horizontal Lines
From the series 16 Variations of 2 Horizontal Lines
From the series 16 Variations of 2 Horizontal Lines
From the series 16 Variations of 2 Horizontal Lines
From the series 16 Variations of 2 Horizontal Lines
From the series 16 Variations of 2 Horizontal Lines
From the series 16 Variations of 2 Horizontal Lines
From the series 16 Variations of 2 Horizontal Lines
Mountain
Mountain House Project, no intended site known (possibly Merano, South Tyrol, Italy) (Perspective sketch)
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Autobiography of a Line (Autobiografía de una línea)
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Untitled (L.01.2)
Red Lines from the Midpoints of the Left and Top Sides, Blue Lines from the Midpoints of the Right and Bottom Sides
Study for Street Light
Knots from Femfolio
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Untitled from the series Letters and Lines (Letras e Linhas)
Untitled from the series Letters and Lines (Letras e Linhas)
Untitled
Untitled #1B
Untitled #1
Untitled from the portfolio 5 drypoints
Untitled from fr. jap.cur
Untitled
I from Line Involvements
II from Line Involvements
IV from Line Involvements
VI from Line Involvements
Untitled (Rabat) from X + X (Ten Works by Ten Painters)
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Muzot #3
Untitled from 8 Lithographs (8 Litografier)
Untitled (hand)
Untitled (hand print)
These days...
Untitled (For La Monte)
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Where to draw the line
Untitled from Graphic Primitives
Interlocked Lattice (Large)
Partially Coffered Unknot
Untitled from Graphic Primitives
Line Etchings
Untitled from Graphic Primitives
Untitled from Irregular Bands
Untitled from Irregular Bands
Untitled from Irregular Bands
Garden #9 (revised)
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Concentric Group: Figure Plan K1 (Konzentrische Gruppe: Figurenplan K) from the portfolio New European Graphics, 1st Portfolio: Masters of the State Bauhaus, Weimar (Neue europäische Graphik, 1. Mappe: Meister des Staatlichen Bauhauses in Weimar)
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